Parasophia: Kyoto International Festival of Contemporary Culture 2015
March 7–May 10, 2015
Parasophia: Kyoto International Festival of Contemporary Culture 2015 is the first large-scale international exhibition of contemporary art to be held in Kyoto. Approximately 40 artists from around the world will participate in the two-month exhibition at the Kyoto Municipal Museum of Art, the Museum of Kyoto, and other locations. Many of these artists will also have taken part in the 700 days before the exhibition, making extended visits to Kyoto for site visits, collaborations, and other research for new works that will be presented at the first exhibition in 2015.
To find out more about the schedule and location of events and exhibitions please visit the official Parasophia site.
On January 14th 2015, there will be a film forum at Kyoto University to screen five documentaries by independent, young film-makers from Southeast Asia on the topic of people and nature. All of the films are subtitled in both English and Japanese.
Click to download this poster.
From the sky to the mountains, forests to mangroves, fields to orchards and animals to insects,what is the relationship between people and nature in Southeast Asia? How do people connect with their environments? In what ways do they think about, feel, touch, speak and share their surroundings in their societies, and through their cultures? This year, the visual documentary project presents five short documentaries, by young Southeast Asian filmmakers in the region,selected by an international committee for screening in Japan.
Date: January 14th, 2015 Time: 13:30 – 18:00 Participation: Free to All Venue: Kyoto University Clock Tower Centennial Hall Language： Japanese/English [with Interpreter] Organizer： Center for Southeast Asia Studies Co-organizer： Japan Foundation Asia Center
This event at Club Metro on Thursday October 9th features the award-winning Slingshot Hip Hop film, a short discussion about current conditions in Gaza & the West Bank, and a rocking live performance by DAM, Palestine’s first and foremost hiphop group. Date: Thursday October 9th 2014
19:00: Doors Open
19:30 Movie: Slingshot Hip Hop
21:00 -21:30: Discussion
REBEL SOUNDS：DAM (from Palestine) / RITTO (from 琉球) / 志人 / STINKY SCIZA (BONG BROS.) / DR.HASEGAWA
/ DAICHI (BASED ON KYOTO) / LIVING DEAD (UGRR)
/ FReECOol (SOUL POT RECORDS / HUMANMUSIC)
/ DJ PLANT (尊芯塾)
Tickets for Part 1 OR Part 2: 2000 yen for advance tickets / 2500 yen on the door
Tickets for Part 1 AND Part 2: 3000 yen
All tickets include one drink.
Order advance tickets here: ticket[at]metro.ne.jp
Access: Club Metro sits beside the Kamo river on Kawabata Dori, below cafe etw and above Marutamachi Station. Take Exit 2 from the station to find it. Here is a map: http://www.metro.ne.jp/access/index.html Check this page for details:http://www.metro.ne.jp/schedule/2014/10/09/index.html
““Hafu” is the unfolding journey of discovery into the intricacies of mixed-race Japanese and their multicultural experience in modern day Japan. The film follows the lives of five “hafus”–the Japanese term for people who are half-Japanese–as they explore what it means to be multiracial and multicultural in a nation that once proudly proclaimed itself as the mono-ethnic nation. For some of these hafus Japan is the only home they know, for some living in Japan is an entirely new experience, and others are caught somewhere between two different worlds.”
Hafu the film will receive its theatrical release in Kyoto from March 29th to April 4th.
Showings are at 8:45pm each day at the Kyoto Miniami Kaikan Cinema (京都みなみ会館) Address: Nishikujō Higashihieijōchō Minami-ku, Kyōto-shi (京都市南区西九条東比永城町7979) Location: South from Kyoto Station, on the south side of Kujo Street, a short walk west of Kintetsu Tōji Station.
Click here for the SCHEDULE.
Click here for a MAP.
“According to the Japanese Ministry of Health, Labor and Welfare, one in forty-nine babies born in Japan today are born into families with one non-Japanese parent. This newly emerging minority in Japan is under-documented and under-explored in both literature and media. The feature-length HD documentary ﬁlm, “Hafu – the mixed-race experience in Japan” seeks to open this increasingly important dialogue. The ﬁlm explores race, diversity, multiculturalism, nationality, and identity within the mixed-race community of Japan. And through this exploration, it seeks to answer the following questions: What does it mean to be hafu?; What does it mean to be Japanese?; and ultimately, What does all of this mean for Japan?”
“We are delighted to announce that Chion-in, the head temple of Jodo (Pure Land) Buddhism in Japan will show Buddhism after the Tsunami this March in Kyoto!”
From Ten Thousand Things: Souls of Zen – Buddhism, Ancestors, and the 2011 Tsunami in Japan follows the “greatest religious mobilization in Japan´s postwar history.” Filmed from March to December 2011, the documentary by Tim Graf, a graduate student at Tohoku University, and director/cinematographer Jakob Montrasio explored the everyday lives of Buddhist professionals in the disaster zone, and Japan’s tradition of ancestor veneration in the wake of 3/11, focusing on Soto Zen and Jodo Pure Land Buddhism.
13 March 2014 @ 13:30
14 March 2014 @ 13:30
15 March 2014 @ 16:30
Chion-in Wajun Kaikan, B2 Floor, Wajun Hall Free and open to the public!
Details in Japanese at the LINK
The Center for Southeast Asian Studies (CSEAS), Kyoto University is
proud to announce that it will host a film forum to show five selected
documentaries by independent, young film-makers from Southeast Asia on
the topic of plural co-existence. This is an OPEN forum and we invite
anyone who is interested to participate.
Date and Time: March 11 (Tuesday), starts from 13.00
Venue: Large Conference Room (Room 330), Inamori Foundation Building 3rd floor (MAP)
Southeast Asia is a place of rich diversity and home to over 600
million people. This diversity, a product of centuries of social,
cultural, political and religious development, is at the heart of
Southeast Asian societies. Migration, work opportunities, and the flow
of cultural goods all create opportunities for people across to the
region to meet each other with people living side by side. In this
process they contribute to the creation of different groupings known
as “plural societies.” This forum hopes to stimulate, and raise
awareness of how Southeast Asian filmmakers consider the plurality in
their societies and visually document it.
This year we have a selection of short films from Thailand, Vietnam,
Cambodia, and the Philippines.
For any inquiries contact Mario Lopez marioivanlopez[at]cseas.kyoto-u.ac.jp
Double click on the image below to view it in a larger size.
Film-maker Petri Storlöpare answers questions at Urbanguild.
On Monday evening I attended the premiere of Petri Storlöpare’s documentary movie “A Life in Japan” at Urbanguild. In the movie, footage from all over Japan is accompanied by excerpts from interviews with 19 foreign residents of Japan. According to the film-maker, the objective is to let the viewer have a glimpse of Japanese life through foreign eyes. The participants explain how they first came to Japan, why they stayed, the problems they have encountered, the things they have learned, their loves, their hates, their hopes and their regrets. The movie lasts for 77 minutes, and though it is essentially just people talking, it is both entertaining and thought provoking. Alejandro Peña Flores from Mexico, speaks of how Japan has taught him something about honesty. Duduzile Sibanyoni speaks of police harassment and how that resurrected for her memories of apartheid in her native South Africa. Canadian Micah Gampel relates his disappointment at being unable to save his favorite machiya townhouse from destruction at the hands of developers… For me, as a long time resident in Japan, there were many experiences I recognized and related to. But I think that “A Life in Japan” would be most useful for people who are considering moving here from abroad, or for Japanese who might be interested in getting a fresh perspective on their own country (the movie has Japanese subtitles).
Now, this movie received quite a lot of flak on Facebook recently, before anyone had even seen it, on the grounds that it wasn’t representative enough. Some people who viewed the trailer were concerned that the movie didn’t have enough women in it. Others accused the movie of being Orientalist, and being only concerned with the opinions of white men from developed countries. Well, having seen the movie for myself I can state that these fears were misplaced. At no point during the screening did I feel that the movie felt culturally or gender biased. Seven of the nineteen participants are women, and though they are slightly fewer in number than the men, it’s not something you would notice in terms of screen time. It should also be remembered that Petri Storlöpare made this movie by himself, at his own expense over a three year period, with no funding or sponsorship, so making a movie that was perfectly representative of the expat population here was not something he could ever have possibly done. By his own admission he wasn’t really trying to do that anyway.
The intention was not to try to give an objective all encompassing picture of Japan, but to let you experience it through personal opinions and experiences of different people. The interviewees had the chance to speak freely, within loose frames, about the topics of their choice.
From the website A Life in Japan
I asked Petri how he chose the participants, and he told me that he began by interviewing friends in Kyoto, and then friends of friends and then after he had been doing that for a year he realized he didn’t have enough women in the movie. So he cast his net further and traveled as far as Tottori and Kyushu in a deliberate effort to make a more balanced movie. As for the ethnicity of the participants, there are people from twelve different countries and six different continents. I think for one man’s individual project, that’s not a bad balance at all!
Well, I hope I have laid those concerns to rest. The movie should stand on its own merits. I enjoyed it myself, and most of the people who saw it with me on Monday seemed to respond positively. I would happily recommend it to anyone who is curious about life in Japan, or perhaps even as an educational tool. If you are curious about the movie, you can learn more about it and download it here.
When the Dolphin Dance Project begins, it is welcomed by a pod of more than 300 dolphins as one of their own. The boat is surrounded by dolphins, leaping, playing – they ride the bow wave of the boat, even turning on their side to see us better. Mothers and aunties bring their babies to have a look. Even our local boat captain and videographer were amazed.
– From the Dolphin Dance Project site.
Watching this video, what’s really amazing to me is the incredibly trusting nature of these dolphins. I wonder why they don’t consider the boat and the humans in it as potential predators? There’s something amazing and quite moving about this trust, but it is also quite sad when you think how easily and how often this trust is betrayed.
This image from Dolphin Dance Project.
One of the many arguments against the building of the Kyoto Aquarium is the issue of cruelty to animals, specifically dolphins. The building of a dolphinarium for “edutainment purposes” is a central aspect of the building plans and having seen those plans I can tell you that the space allotted for the dolphins is clearly both constrictive and cruel. Research has proven that dolphins are both intelligent animals capable of self-awareness, abstract thought, and creativity. They are also emotional animals that exhibit profound familial and social bonds. Some scientists have even suggested they should be considered “non-human persons” and afforded rights equivalent to our own. In other words, we ought to treat them better than taking them out of their natural habitat, confining them in pools and using them purely for our own entertainment.
Here's a screenshot from the architects plans(click to see it larger). Note the dolphin ふれあい pool on the left where children may touch the dolphins.
Many of the postcards designed by Kawagoe Yoshio-san for the anti-aquarium campaign, depict dolphins, and frequently with a message that reads “君とは海で会いたい!” – I want to meet you in the ocean! This message that we should encounter wild creatures such as dolphins in their natural habitat and not in an entirely artificial environment is a strong one. So it seemed serendipitous that Chisa Hidaka the director of the Dolphin Dance Project should offer to show her short movie “Together” at the “Voices for Umekoji” event on Friday. The message is essentially the same.
Dancer and choreographer, Chisa Hidaka, initiated the Dolphin Dance Project in order to promote inter-species understanding. Having encountered dolphins in the wild, Chisa became intrigued by the similarities between dolphin play and human dance and began a project of filming inter-species improvised dance as a means of profound communication. The debut film, ‘Together: Dancing with Spinner Dolphins,’ won ‘Best Experimental Film’ at its world premiere at the Big Apple Film Festival. This film shows a human dancer and a wild spinner dolphin dancing playfully together beneath the waves. Though short, it is beautiful to watch and leaves you wanting more. Happily ‘Together’ is but a pilot for a longer film to be shot in 2011. ‘Sharing the Dance’ will be a full-length documentary about the making of a group dance with several human dancers and a pod of wild dolphins.
We are very proud to be showing the movie “Together” at our event on Friday! Here’s the trailer!
Wild dolphins are incredibly precious! They are rare – maybe unique – in being creatures who are truly wild and yet who are willing to reach across the species divide to approach humans voluntarily, out of their own curiosity and interest to interact. What happens if we respond to this invitation by offering ourselves as their equal? The possibilities for paradigm-shifting experiences are profound. We are given the opportunity to experience ourselves not as the dominant species destined to rule the world, but a creature who shares likeness and equality with another species on the planet. Wouldn’t such an experience radically change our assumptions about how to treat the Earth, her creatures and her resources?
Last Friday I attended the Kyoto premiere of Roger Walch‘s new movie “Children of Water” at Jittoku. The venue was a legendary live house in Kyoto (Japan’s oldest in fact) that has been open since 1973. Like the equally famous TakuTaku the building is a converted saka-gura – a kind of traditional sake warehouse. This was my first time to visit this fine old venue.
Jittoku is open 17:30 - 24:00. Live music every night between 19:00 - 21:00. Situated on the east side of Omiya, north of Marutamachi. Click on the picture for an access map and check the website for irregular holidays: http://www2.odn.ne.jp/jittoku/
Folk rock funsters Morphic Jukebox have a couple of songs in the movie’s soundtrack, so they performed a live set before the movie was shown. I’ve put some videos of their performance at the end of this post.
Roger’s movie was an interesting and moving story about different and sometimes clashing cultural attitudes towards child-rearing, and abortion as they play out in a particular cross-cultural relationship. Continue reading →