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The Heiji Monogatari Emaki – Interactive Scroll Now Online

February 8, 2015 By Michael Lambe

“Few paintings of the period capture the force, confusion, and terror of battle as effectively as does the episode of the burning of the Sanjō Palace in the Heiji monogatari emaki.” – The Encyclopaedia Britannica

Sanjō Palace in flames - a detail from the Heiji Monogatari interactive scrolls from Bowdoin College
Sanjō Palace in flames – a detail from the Heiji Monogatari interactive scrolls from Bowdoin College

One night in January 1160, a band of 500 men stormed the retired Emperor Go-Shirakawa’s palace at Sanjō, took the former emperor captive, killed most of his staff and set the palace ablaze. Go-Shirakawa was carried off to join his son, the reigning Emperor Nijō, who was being held prisoner at The Great Palace. Meanwhile the rebels continued to eliminate their enemies. The coup was brief, effective and bloody.

Soldiers blockaded the [Sanjō] Palace on all four sides and set fire to it. Those who fled out they shot or hacked to death. Many jumped into the wells, hoping that they might save themselves. The ladies-in-waiting of high and low rank and the girls of the women’s quarters, running out screaming and shouting, fell and lay prostrate, stepped on by the horses and trampled by the men. It was more than terrible. No one knows the number of persons who lost their lives. – From “The Burning of the Sanjo Palace” translated by Reischauer & Yamagiwa

Kyoto, in the 12th century, was the setting for an intense power struggle between two samurai clans: the Minamoto and the Taira. The leaders of these clans, Minamoto no Yoshitomo, and Taira no Kiyomori, had once been allies in putting down an earlier rebellion, but a bitter rivalry had developed between them. When Taira no Kiyomori left the capital on a pilgrimage, Minamoto no Yoshitomo saw his chance to seize power, and launched his attack on the Sanjō Palace. Ultimately however, the Taira would return and exact their revenge…

This, in short, is the history of the Heiji Rebellion, a brief civil war that resulted in Taira no Kiyomori’s victory over Yoshitomo and the establishment of Japan’s first samurai led government. History buffs and art lovers alike will be delighted to learn that Bowdoin College has now put online the illustrated 13th century Heiji Monogatari scrolls which depict these events, and in a fully interactive format.

From the Bowdoin website:

“A Night Attack on the Sanjo Palace” provides an excellent introduction to the genre of picture scrolls. The scrolls read from right to left, and all action flows to the left. A few people hurrying flow into a confused throng of warriors and nobles, epitomized by a wayward bystander being crushed by an ox cart. Out of the confusion, attention shifts to the palace, where Fujiwara Nobuyori can be seen ordering the retired emperor into the cart. Wisps of smoke appear, leading to a conflagration at the palace, with hapless supporters of the Taira being killed, and women of the palace attempting, with mixed success, to flee. Gradually order is restored, and a band of warriors, including Fujiwara Nobuyori and his co-conspirator, Minamoto Yoshitomo, surround Go-Shirakawa’s cart in a triumphant procession.

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A detail from the Bowdoin College interactive scroll.

The scroll itself is beautiful. The commentary buttons that explain both the narrative flow and specific images are very helpful. There is also a translation button for the opening portion of the scroll, (quoted above) which introduces the unfolding events. The Bowdoin College site is a great learning tool and a fantastic introduction to this dramatic episode in Kyoto’s history.

You can find it here:
The Heiji Scroll
The Interactive Scroll Viewer

Donald Keene on Kyoto: Then & Now

January 6, 2015 By Michael Lambe

Donald Keene at his Tokyo home in October 2002. Picture by Aurelio Asiain. Taken from Wikipedia under a Creative Commons Attribution-Share Alike 2.0 Generic license.
Donald Keene at his Tokyo home in October 2002. Picture by Aurelio Asiain. Taken from Wikipedia under a Creative Commons Attribution-Share Alike 2.0 Generic license.

On New Year’s Day the Japan Times published a wonderful article by the renowned Japanese scholar Donald Keene, reflecting on the changes he has seen in Japan over the past 70 years. In a fascinating account he tells of life in the immediate post-war years and after; a time of much hardship, but also, a golden age in modern Japanese literature and arts. In particular though, it was his experiences as a student in early 1950’s Kyoto that grabbed my attention. Professor  Keene painted a picture of a city far different from the one I know. Unlike other Japanese cities, Kyoto had been spared the ravages of wartime aerial bombardment, and the modern development that was to irrevocably change the cityscape was yet to come. How incredibly beautiful it must have been then! And what a thrill to roam through those perfectly preserved streets!

I enjoyed wandering at random in the city, fascinated by the names of places I knew from works of Japanese literature and history. The streets were surprisingly quiet, probably because at the time there were no privately owned cars in Kyoto, only company vehicles. I was delighted one day when I saw two elderly ladies happening to meet while crossing in the middle of Kawaramachi, the busiest street in the city. They politely removed their haori jackets and bowed to each other, not in the least worried by possible traffic. Of course, not everything in Kyoto was so pleasing. I saw slum areas not only around the railway station but in the middle of the city, and there were many boys eager to polish one’s shoes. But I managed to accept these sad results of the long warfare that the Japanese had suffered.

I was captivated not only by the city, but the surroundings and I visited every temple on the tourist map. I enjoyed walking along streets with rows of shops, all selling the same article, whether bamboo baskets, stone badgers, or dusty secondhand books. Most of these shops no longer exist, victims of progress.

Indeed the nostalgia is tinged with sadness. Though Professor Keene concedes that people in Kyoto now live far more comfortable lives than they did 60 years ago,  he still laments the changes he has seen, and continues to see in the urban landscape.

I do miss Kyoto as it was when I first arrived in the city.

The beautiful houses in Gion grow fewer each year and will never be replaced. The side streets lined with Japanese-style houses are either mixed with dreary apartments or totally destroyed. Kyoto streets on a Sunday are now jammed with cars. No old lady is advised to cross a street without caution. Greed and a demand for convenience have taken the place of beauty…

Oh to have a time machine! I often wonder how Kyoto residents of 60 or even 50  or 40 years ago would feel if they were to pay a visit to 21st century Kyoto and witness the changes that time and rampant development have wrought. Would they marvel at our modern comforts and conveniences, and envy our lifestyle in this age of consumption? Or would they mourn the loss of the city’s former grace, and bewail the loss of local community traditions?

Perhaps they would do both.

To imagine a better future, we must look to the past. Each day, here in Fushimi, I look out my window at a parking lot, where but 30 years ago there stood a beautiful house and garden designed by the legendary architect William Vories. Once it was the pride of the family who had it built, but their descendants decided to pull it down because it made more economic sense. To go to my local supermarket I cross a canal once lined completely with cherry trees. Only a few trees now remain, most having been ripped up to make way for profitable housing. Probably, only a few people locally remember these things, and doubtless most local residents familiar with the town as it is now, would be amazed if they knew what has been lost. That’s why it is important to preserve these memories. If it was possible then, to plan and build with forethought for community and a pleasing environment, why shouldn’t it be possible now?

Looking ahead I do fervently hope that one day, both local and national government put into place policies and planning regulations that allow us to enjoy the best of old world beauty and a modern agreeable lifestyle. To dream of such a future might seem idealistic, but it’s far from impossible. Just look at this.

To read the full article by Professor Keene please visit the Japan Times website here: Donald Keene reflects on 70-year Japan experience

See also: Two Views from Yasaka Shrine Separated by Time.

Deep Nara #1 – Kojiki Exhibition

December 4, 2014 By Michael Lambe

IMG_7259 (Medium)

Last month Mewby and I went down to Nara and took in the Kojiki exhibition currently ongoing at Nara Prefectural Art Museum. I would happily recommend the exhibition as a fascinating and comprehensive exploration of every aspect of Japan’s oldest book. Whether, you are interested in the deepest roots of Japanese culture, ancient mythology and the glorious art it has inspired, or in the very dodgy political interpretations that have attached themselves to the book, it’s all there for you in the Kojiki exhibition. I wrote a bit about it for John Dougill’s Green Shinto blog, and he was kind enough to post my review today.

八岐大蛇退治図 鈴木松年 - Susanoo slays the eight headed dragon. Suzuki Shonen, 1871.
八岐大蛇退治図 鈴木松年 – Susanoo slays the eight headed dragon. Suzuki Shonen, 1871.

The Kojiki or Record of Ancient Matters is a collection of myths detailing the creation of the Japanese archipelago, along with stories of the first Gods, heroes and emperors. Compiled in 712 it is the oldest book in Japanese. It is also notoriously difficult to read, even in translation. The exhibition’s own stated aim is to overcome this difficulty and help the visitor to look beyond the text’s ancient language and obscure cosmological convictions, to the lives and emotions of the people from whose culture these legends sprang. To do this they have gathered art and archaeological materials from city museums and private locations across Japan that provide a thoroughly immersive Kojiki experience. The result is a comprehensive overview of this book’s place in Japan’s cultural history. We spent a good afternoon at the exhibition learning that the text of the Kojiki, and its mythological contents, have been not only a rich source of creative inspiration, but also historically of propaganda and political influence. In both regards it is a fascinating story!

You can read the rest of this article here: http://www.greenshinto.com/wp/2014/12/04/kojiki-exhibition/

The good news is that the Kojiki exhibition is FREE for foreigners, but you’d better be quick as it finishes on December 14th. You can find more details in Japanese and a map to the Museum are here: http://www.pref.nara.jp/miryoku/daikojikiten/

See also: Songs and Stories of the Kojiki retold by Yoko Danno

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