Category Archives: Art

NUIT BLANCHE 2015 -KYOTO OPENING PERFORMANCE « Langage, texture et mouvement »

From Marguerite Paget

NUIT BLANCHE 2015 -KYOTO OPENING PERFORMANCE « Langage, texture et mouvement »


October 3rd 2015
Kyoto International Manga Museum – 19:00
UrBANGUILD Open 20:00 – Starts 20:30


«Langage, Texture et Mouvement» is a unique mix-media live performance which gathers classical conductor, composer and percussionist YANNICK PAGET, filmmaker and visual artist ALEXANDRE MAUBERT (Villa Kujoyama 2012), painter DAIJIRO HAMA and electro artist YOHEI YAMAKADO for a special artistic collaboration. Staged in front of Kyoto International Manga Museum (October 3rd, 19:00), the performance will launch the 5th edition of the Contemporary Art Festival : Nuit Blanche Kyoto which 2015 theme is « Fashion x Contemporary Art ».


« Langage, texture et mouvement » : an artistic encounter
Initiated by Yannick Paget this group performance explores fashion, as an art of
appearance that connects or disconnects us, forms communities or leads to rejection. Appearance draws a limit between our interior & our exterior. It creates frontiers, materialized by the textile. Like interlaced fabric, this musical live performance explores physicality; turning fabric into human tissue through the collaboration and encounter of artists coming from different countries, raised in entirely different artistic universe, from classical music to electro or improvisation and using different mediums (video, music, painting, dance…).


While Alexandre Maubert’s vidéos with Daijiro Hama’s painting and the dancers, Kyoko Nomura (Monochrome Circus), Asuka Ueki, Eri Chian, Caitlin Coker and Mina Yoshida will be projected on the wall of the Kyoto International Manga
Museum, conductor and composer Yannick Paget will perform together with the electro artist Yohei Yamakado, playing percussion live (some made out of textile), and conducting the musicians scattered throughout the venue.


Following the Manga Museum performance the artists will continue the experiment at UrBANGUILD inviting the public to join them for a night of hybrid performance, connecting music, contemporary dance, live painting and video.


About Nuit Blanche Kyoto
Every autumn, Paris stages a one-night arts festival called Nuit Blanche (“White Night”) celebrating contemporary art. During this night, museums, private and public art galleries and other cultural institutions are open and free of charge, turning the centre of the city itself into a de facto art gallery and providing space for art installations, performances (music, film, dance, performance art), themed social gatherings, and other activities. For the 5th time, Kyoto, sister city of Paris, holds the companion event “Nuit Blanche Kyoto” in various spots around the city welcoming the public to enjoy both Japanese and French contemporary artworks for free and lighting up Kyoto’s night in a wide range of events including performances, exhibitions and projection mapping on building exteriors.


In 2015 Nuit Blanche Kyoto presents : « Fashion x Contemporary Art » a promising wide-ranging program :
Paris and Kyoto: both cities have long good tradition of art and craft. Moreover both cities have developed a strong culture of fashion. Nuit Blanche Kyoto 2015 is considering the possibility of cultural exchange through a passage of fashion. We are somehow connected to fashion even when we are unconscious. It’s an everyday tool, a business and a medium of expression. We are contemplating how fashion and art are related from now on. In 21st. century, how do the two cities create in those fields? Nuit Blanche Kyoto 2015 introduces some remarkable works by artists, craftsman and designers under the theme of New Creation in Kyoto. We explores the new relations between art and fashion. We care for tradition but we need to find a way to reinvent it.
Advisors: Hiroshi Ashida (Seika University), Makoto Ishizeki (Kyoto Costume
Institute), Hiroshi Narumi (Kyoto Joshi University)
More information :

Venues : Kyoto International Manga Museum – 19:00
Karasuma-Oike, Nagakyo-ku. TEL/ 075-254-7414
URBANGUILD – Open 20:00 – Starts 20:30
Nakagyō-ku Kiyamachi dori, Sanjō Sagaru New Kyoto Building 3F
TEL/FAX 075-212-1125
Press Contact : Marguerite Paget / / Mob : 090 6556 1974

What is “Deep Kyoto”? ~ Some thoughts from Lonny Chick

In recent months the Deep Kyoto Group on Facebook has really taken on a life of its own, with members sharing events, photos, info, opinions and even fun little quizzes! It really does feel like it has naturally grown into a vibrant community and a center of friendly discussion. One of our frequent contributors is Lonny Chick, who is perhaps better known on Twitter and Flickr as Rekishi no Tabi, and his photographs and posts on historical matters are always fascinating. A recent discussion about the kind of content we would like to see more of in our group, inspired Lonny to write a wonderful meditation on what “deep Kyoto” means to him personally. It was so beautifully written and so full of heartfelt love for this city that I thought it deserved a wider audience, and I am very glad to say he has given me permission to reproduce it here.

*          *           *

What is “Deep Kyoto”? What does it mean to you?

I don’t mean this in terms of the Facebook Group, which is a stellar community and I do truly enjoy the posts, but what is “deep Kyoto”?

I ask myself this question a lot, as Kyoto is a very special place that resonates deep in me. It is a destination that allows me to forget the burdens of work and daily life and all the associated stress that really sometimes drags me down both mentally and physically. It is in Kyoto that I can find an inner peace, refresh myself and find the resolve to re-don my samurai salaryman armor to fight in the workplace trenches another day.

So what then is my “Deep Kyoto”? I think the best way to answer that is with a list. In no particular order, here is a portion of that list.

A Quiet Sunday in Kyoto by Lonny Chick

A Quiet Sunday in Kyoto © Lonny Chick – Click to view original.

1. It’s the feeling of joy to see the owners and senior staff of one of my favorite obanzai restaurants, who go out of their way to make me and my wife feel special. It is all about the omotenashi (hospitality) and the relationship that has developed over a decade with these people. It is the fact that the okami-san eagerly WANTS to talk about Japanese history and traditional culture with me. It’s the special sake that they bring out for me to sample. It is the box of chirimenjako or special Kyoto pickles that the okami-san presses into our hands to take back to Tokyo. It’s the master preparing extra special goodies for us, unsolicited. Again, Kyoto-style omotenashi really goes a long way with me.

2. It is the taste of botan nabe (wild boar hot pot) cooked in an iribancha tea-based broth on a cold winter’s night. It’s pure Kyoto and pure delight!

3. It is the smile of recognition and greeting one gets when seeing a geiko or maiko on the street who actually remembers you.

4. It is the sound of a shamisen accompanied by a singer emitting from the open second story machiya window on a hot and sultry summer’s night.

5. It’s running into Kyotoite friends on the street at night by pure chance who are on their way to a bar and drag you along, only to find out you will be drinking with a stunning geiko.

6. It is the sound of “kon-chiki-chin” music of the Gion Matsuri during Yoi-yoiyama up through the big parade every July 17. It just helps set the mood.

7. It is the feeling of being revitalized while walking through the Kibune Shrine complex, especially after a rainfall, or during a light drizzle. Water and the dragon god go hand in hand.

8. It is the feeling of deep relaxation and satisfaction one gets when sitting on the veranda at Entokuin or Eikandō, nearly all alone and undisturbed, staring out into the garden and thinking of absolutely nothing for about an hour.

9. It’s the subtle smile and sideways glance one gets from a favorite Buddhist statue.

10. It’s the conversation one has about “what constitutes the best cup of tea” with an accomplished tea master while sipping whisky in a small Gion bar run by a charming semi-retired geiko, who also has a treasure chest full of great stories.

11. It is being told by the owner of an ancient restaurant to wait until all the dinner customers are gone so you can have nearly a free reign to go and photograph just about every nook and cranny of the historic building.

12. It’s being told by the owner of a restaurant, which you are visiting for the first time, to wait until the last lunch customer is gone so he can show you how hamo is prepared.

13. It is just browsing in an antique store and talking to the owner about the history of a piece when he suddenly invites you to an impromptu tea ceremony in his shop using 15th century utensils.

Akai-san Prepares a Bowl of Matcha © Lonny Chick. Click for original image, and story!

Akai-san Prepares a Bowl of Matcha © Lonny Chick. Click for original image, and story!

14. It is the wonderful old architecture that co-exists with some interesting new structures.

15. It is a stroll down Kiyamachi at night, holding hands with your loved one, admiring the sakura and soaking up the history of the area.

16. It is stopping to dally around the Tatsumibashi bridge and shrine around midnight, while on the way back to your hotel, just to admire a sudden snowfall and watch the area slowly get blanketed in white.

17. It is the old couple who owns a kissaten, set in an old machiya, who invites you to come back tomorrow to just hang out and watch the carrying of the mikoshi (portable shrine) from their place during the Gion Matsuri and to get tested on Kyoto history knowledge via the Kyoto Kentei books.

18. It’s the sound of thundering hooves and the sight of a mounted archer whiz pass you while firing arrows at targets on the grounds of the Shimogamo Shrine during the Aoi Matsuri.

19. It’s just walking up and down the narrow walkway in the Pontochō at dusk, trying to count the number of languages you hear spoken, catching a glimpse of a geiko or maiko, and wondering how the area must have looked during the Bakumatsu period. Pontochō is magical at dusk.

20. It’s the sudden sense of being overcome with awe and wonderment when you are led upstairs to the Sumiya’s second floor to see the beautiful settings where courtesans and geiko mingled with Edo period literati and elites.

This list can go on and on, but this is just a part of my “deep Kyoto”.

Introducing Deep Kyoto’s Photo Tips & Tricks with Javier Montano

Today I am very pleased to welcome a new contributor to Deep Kyoto. Javier Montano is well known locally for his group photo walks as well as his own stunning photography. Here on Deep Kyoto, he will be writing once a month with advice for would be photographers. Take it away, Javier!


Javier Montano

Hi, welcome to Deep Kyoto’s Photo Tips and Tricks. My name is Javier and I will be talking to you about to how to improve your photography. Just because you are not a photographer nor have a “professional” camera doesn’t mean you can’t take pretty pics. Ah photography, such a nice artistic pastime, you know. Nothing serious, or is it? For some of us it’s just a way of keeping a record of how our lives pass, but for others it keeps them awake at night thinking about how to look at the world differently, to create original art, and to show something in a new way. If you are somewhere in the middle, or one of the crazy ones who still think it’s possible to take the perfect photo (like myself), then this post is for you. I’ll be posting a pic periodically and telling some stories about how I made it happen. I hope this will allow your creativity to flow and will help you when it’s you behind the camera.

So let the adventures begin! For starters, I’ll leave you with this photo of beautiful Ginkaku-ji (銀閣寺) or Temple of the Silver Pavilion, (click to enlarge) a 10 minute bike ride from my home in Kyoto. Let me know your thoughts. Mata ne… (for more visit my site: or

javier montano pic

「地層 STRATUM」2015: Group Art Exhibition at Gallery Morning; August 18th – 23rd

Many thanks to Eimi Tagore-Erwin for sending in the following…

This summer, Gallery Morning in Higashiyama, is opening its doors to  STRATUM, a collective exhibition of works by three international artists exhibiting in Kyoto for the first time.

Stratum3人展案内状(japanese name version)

The exhibition will showcase the three artists’ process-based work, merging the layers of two worlds: of what is seen and what is imagined.

Stratum refers to an accumulation of layers – layers that react to each other,  complement each other, and often share qualities with each other. When seen together, these layers can lose definition because of the subtleties of their inconsistencies, but they do remain separate, defined by the stratum in which they reside. This exhibit focuses on three different levels of layering: material, digital and conceptual. STRATUM invites viewers to try to both see and experience the layers behind the works exhibited.

The collection for the week is comprised of collage and sculpture, light installation and photography, and line paintings.

August 18-23rd, 2015.
Gallery hours are from 12:00 – 19:00.
Except for Sunday, 12:00-17:00.

Artist Information:

EASTE (Eimi Tagore-Erwin)
American artist based in Kyoto, Japan. She works largely in mixed media, studying how different contexts can change perceived value in objects. EASTE combines elements of sculpture, collage and design to make micro compositions within larger overall pieces.

EASTE 'iranai'

EASTE ‘iranai’


Swedish artist based in Stockholm, Sweden. OKOK, creates a world where endless imagination meets spontaneous movements of a hand disconnected from the brain. Deeply focused on his penmanship, his study of pattern, repetition, and form bring reality into a new reality.

OKOK 'untitled'

OKOK ‘untitled’


TJ Perrin
American artist based in Stockholm, Sweden. He works with photographs as mediated forms of personal reflection. He depicts the world in two, focusing on the multiple sides of modern day individuals, environments, and devices.

TJPERRIN 'hiroshima'

TJPERRIN ‘hiroshima’

Gallery Morning
207 Nakano-cho, Higashiyama-ku, Kyoto
Click here for a MAP.

Gallery Morning:

Facebook event page:

Kyoto Exhibition of Ukiyo-e Featuring Bizarre Ghouls & Goblins; July 24th – August 16th

The Kyoto “Eki” Art Museum in Isetan will be exhibiting ukiyo-e prints of “Obake” monsters from July 24th – August 16th.


I’m off to the UK for ten days from today, but when I get back I am definitely checking this out. More details at this link (Japanese):

New Directions Vol. 3 @ Urbanguild, Kyoto; July 9th

new directions

Our pal, Christopher Fryman, is hosting a series of New Directions events at Urbanguild these days, and has asked me to help spread the word about the next show on July 9th. As Christopher is a pal, and the list of performers does look rather good, and especially as this will be a NON-SMOKING EVENT (!!!) I am very happy to oblige.

First the details:

Date: July 9th 2015
Doors open: 19:30
Show starts: 20:00
Tickets on the door: 2200 yen + 1drink
Tickets in advance: 1700 yen + 1drink

Directions: To get to Urbanguild from Sanjo Dori, go down Kiyamachi Dori (This is the narrow street running alongside the Takase stream). Urbanguild is on the east side (the left hand side as you walk down from Sanjo) about 150 metres. It’s on the 3rd floor of the New Kyoto Building – access by elevator or stairs. Here is a MAP.

Here’s the list of performers:

Hitomi Shimizu
Takeshi Unate & Yuko Nazuna (calligrapher)
Siete passos para el cielo & Himeko Narumi (dancer)

Christopher is particularly keen that people come to see Kyoto-based composer Hitomi Shimizu who will be playing a quarter tone keyboard that she made herself. Here are some more details…

hitomishimizuHitomi SHIMIZU is a composer for film and TV soundtracks and winner of the Japan Academy Award 2001 for the Japanese film “Waterboys”. Hitomi has studied music composition since the age of 14 and is especially intersted in micro tuning. After graduating from Toho Gakuen Conservatoire, she built herself a 43-tone microtuning organ and made frequent live performances with violinist Hiromi NISHIDA as a duo “SYZYGYS” in Tokyo. She plays “microtuning pop” which is Hitomi’s life work. “SYZYGYS” CDs are available worldwide, produced by John Zorn on his TZADIK label. For her solo works, she plays 205/octave microtonal keyboard called “Tonal Plexus 6s” as well as her self made 43 tone organ.
Takeshi Unate is an Asian style, one-man-band ‘pokopoko’ musician. He plays with body and spirit. His hands use many melodic instruments, singing with his mouth and nose, beating with his feet and an array of flutes, whistles and other rare instruments.


Yuko Nazuna is a shodo (Japanese calligraphy) artist. She has performed live calligraphy at shrines and temples in Nara.


SIETE PASSOS PARA EL CIELO are an esoteric free style band playing a beginning, middle, and end. Their influences range from Mahler to Mingus. They are

Kurata Kenichi – Bass
Ito Makoto – Sax
Christopher Fryman – Trumpet
盛田泰三  – Drums


Himeko Narumi is a dancer and art model who has danced all over Japan and participated in many International Festivals. She is currently a member of “The Physical Poets” that use body movements and dance. At the same time, she has a career as a solo dancer and has been working with music in improvisation dance sessions. She focuses on invisible things, a sense of air, music, mind and energy, and the spirit of the land…

All pictures courtesy of Christopher Fryman & Urbanguild.

Pendulum – Japanese Traditional Music Course @ Kyoto Geidai; August 18-20

Alison Tokita is running an intensive 3-day course on Japanese traditional music at Kyoto City University of Arts, August 18th – 20th, 2015.

Click to download PDF

Click to download PDF

This short-short course will introduce many of the genres of traditional Japanese music that have been transmitted to the present and are still actively performed. The course will also discuss the varied ways of experiencing musical modernity in the context of the overwhelming dominance of western music in Japan. It will provide an accessible overview of Japanese music culture for non-Japanese participants, including performers, composers and musicologists. It is also intended for Japanese participants who are interested in an international perspective on Japanese music, and students planning to study abroad who want to know something about their ‘own’ music as well as western music.

The major genres include gagaku, shōmyō, and shakuhachi and koto music. The narrative genres of heike and jōruri and their place in the nō, bunraku and kabuki theatres will be introduced. Practical encounter with some genres during learning sessions, and an evening concert will be included.

Cost: 5,000 yen (payable in cash at the commencement of the course)

Schedule: There will be two sessions per day over three days. Morning session 10:00-13:00 Afternoon session 14:00-17:00 (The following schedule may be adapted depending on the interests of participants.)

HOW TO APPLY: Registrations must be received by Friday July 31 by email. Payment will be made on the first day of the course, August 18, between 9:00 and 10:00. Registration form can be found on the website.
Enquiries and registration:
Enquiries can also be made to the course convenor, Alison Tokita:
Here is the link for further details and a contact form:

The 4th Kyoto Photo Walk – Sunday, July 5th with Javier Montano

photowalk 4

Good news for would-be photographers – Javier Montano of Daijoubu! Photography is organizing another Photo Walk. It’s a great opportunity to socialize, pick up some tips from expert photographers and improve your own shooting technique. No special equipment is required to join the walk – all you need is a camera or i-phone.

Day: Sunday, July 5th
Time: 4pm
Location: Hankyu Arashiyama Station Entrance

After the walk participants will get together for dinner and drinks.

See also:

Charles Roche’s First Exhibition – “For Friends” @ Papa Jon’s Eatery

Congratulations to Charles Roche on his first exhibition, “For Friends”. On Sunday, Mewby and I popped into Papa Jon’s Eatery to check out his paintings and we were both really impressed. Viewing his work, it really is extraordinary that Charles has only been painting for two and a half years and is completely self-taught.

Charles with one of his most recent pieces, "Inexorable Autumn".

Charles with one of his most recent pieces, “Inexorable Autumn”.

While there I took the opportunity to appreciate another piece of artistry; this Velvet Blueberry Cheesecake.


Art and cheesecake – what more could you want? The show continues until May 17th, and if you would like to meet the artist in person he will be there to greet you from 5:00 pm. I would encourage you all to go and take a look.

for friends

This image courtesy of Charles Roche.

Location: Papa John’s Eatery is on the 3rd floor of the Shimpukan Building, just south of Oike, on the east side of Karasuma.

KYOTOGRAPHIE SPECIAL: Night Viewing with Torches of Martin Gusinde’s Exhibition

This looks like fun and there is still time to catch it! From Marguerite Paget:

Experience a special and exciting night viewing of the Martin Gusinde’s exhibition: The spirit of the Tierra del Fuego people, Selk’nam,Yamana, Kawésqar.

Every day from 8-9pm at Kyoto City Hall open square in the Paper Tube Pavilion by Shigeru Ban.
The venue will be plunged into darkness during the event. Bring your torch or borrow one at the venue!

Date: everyday from May 1st until May 10th
Time: from 8 to 9pm
Admission Fee: Adults, Students (University, High school students) 500 yen or KYOTOGRAPHIE passport
Place: Kyoto City Hall open square
488 Teramachi-Oike, Nakagyo-ku, Kyoto,604-8571Subway Tozai Line Kyoto Shiyakusho-mae Station” 1 min. on foot from exit 15 Keihan Line “Sanjo Station” 7 min. on foot from exit 12