Category Archives: Art

Encounter: 4 Artists Exhibition at Gallery Space Kagiya, Kyoto; May 12-17

Christine Flint Sato has sent me word of an up-coming art show here in Kyoto. The details are below…

“4 artists, 4 lives converge in Kyoto. We meet here, a city of art, culture, history and future possibilities. We come from Israel, Slovenia, Poland and Britain and somehow it clicks. We hit it off. From the first spark of connection we talked, laughed, exchanged views, listened deeply to each other, wanted to learn from each other and to do something creative together. We use different media – photography, mixed media, sumi ink. This exhibition is a result of our encounter, and the first step of a new journey exploring what it may bring.”

Kyotographie Masterclass with Isabel Muñoz & Taketeru Kudo

Thanks to Marguerite Paget for sending this in…

Capture the Moment! – Grasping the body and the movement

The work of Isabel Muñoz has always evolved around the body and movement. This is partly what has contributed Isabel Muñoz’s international notoriety.
Passionate about dance, she has worked on various series dedicated to the arts she herself practiced for a long time: Cuban Danza, Flamenco, Tango, Mitologias…
What captivates her more than anything is performance, boundaries, and sensuality.
This year, the KYOTOGRAPHIE Masterclass offers an original formula, exhilarating for both the participants and the photographer.
What better way of learning than to practise? Observe, understand, anticipate and capture!

It is through action that Isabel Muñoz invites you to step into her world and share her perspective. The workshop will be punctuated by moments of discussion and exchange, technical and theoretical advice (for example the handling light and the relationship to the subject) but mainly we will focus on shooting techniques applied in a unique context.
This context is created with the inclusion of Taketeru Kudo, one of the greatest Butoh dancers of his generation.

Can butoh be photographed?
Devoid of any decor, this art is inherently linked to black and white. The bodies of the dancers, covered in white powder, try to express the heaviness of the world and the dark forces at play within the soul.
In this context, photography rimes with intelligence, imagination and sensitivity.

Who can participate?
Anybody passionate about photography, with experience, that wants to experience a unique moment with out-of-the-ordinary teacher and a model.

Date:
April 17th 9:00-17:00
April 18th 9:00-17:00
*arrive 15min earlier

Fee: 20,000JPY (tax inclusive)
Venue: Former Shinpukan, Kyoto, JAPAN

For more details see: http://www.kyotographie.jp/en/2017portal/event/masterclass-by-isabel-munoz

Music on the Edge of Silence: Shakuhachi Concert with Adrian Freedman

A solo shakuhachi concert with Adrian Freedman in the beautiful garden of Eiun-In temple, part of the Kurodani temple complex in Kyoto.

April 13 @ 7:30 pm – 9:30 pm
Location: Eiun-In temple, Kyoto-shi, Sakyou-ku, Kurodani-cho 33, Kyoto, Kyoto Japan +Google Map
Tickets on the door: ¥2,000

Bridget Scott says, ‘A friend of mine, who lived here many years ago and is a shakuhachi player is returning for a concert at Eiu-in on 13th April. Adrian Freedman has been back recently in the past few years and has performed at Robert Yellin’s studio… He is an incredible musician… his shakuhachi playing really is “music of the edge of silence”. ‘

Adrian Freedman says, “It’s been more than 20 years since the first concerts I gave in this beautiful, tranquil, secluded garden. ancient and new music for shakuhachi … gentle tones of spring earth awakening … spirit of stillness … following the breath, following the heart … from sound to silence … ”

For more information, please visit: https://www.adrianfreedman.com/

Kyotographie Event: Zanele Masterclass On Self-Representation.

Thanks to Marguerite Paget for sending this in…


Date: April 16th 9:30-12:30
Fee: 10,000 JPY

Muholi is a visual activist, photographer, educator with multiple solo shows and group exhibitions in galleries and museums worldwide.
In contrast to her life-long project of documenting members of the black LGBTI community of South Africa, for her latest body of work ‘Somnyama Ngonyama’, Muholi turns the camera on herself, experimenting with different characters and archetypes, portraying herself in highly stylized fashion using the performative and expressive language of theatre.
The black face and its details become the focal point, forcing the viewer to question their desire to gaze at images of her black figure.

‘By exaggerating the darkness of my skin tone, I’m reclaiming my blackness, which I feel is continuously performed by the privileged other.’
Join her for the Masterclass and reclaim your own visual identity through self-representation.

Date: April 16th 9:30-12:30
*arrive 15min earlier

Fee: 10,000JPY (tax inclusive)
Venue: Former Shinpukan, Kyoto, JAPAN

Read more here: http://www.kyotographie.jp/en/2017portal/event/masterclass-by-zanele-muholi

Ensō Watt‎ Perform Clonologic Horizone® at Urbanguild Tomorrow!

Our favorite experimental multi-media performance group will be blowing minds again at Kyoto’s Urbanguild tomorrow night. Don’t miss this if you are free and in town.

clonologic

Date: 5 November 2016
Time: 19:30–1:00
Venue: UrBANGUILD Kyoto
http://www.urbanguild.net/
map : https://goo.gl/maps/wHTfPYvzDEN2
door 2800 yen
adv 2000 yen
student 1500 yen
+1 drink

ensō watt (http://ensowatt.org/)
is
{electronics, spatialization}
Samuel André ( aka ieva ) http://ieva.free.fr/e

{scenario, poetry }
Chris Mosdell http://chrismosdell.com/

{composer, conductor, percussionist}
Yannick Paget http://www.yannickpaget.com/

{piano }
江南泰佐 Taisuke Enami http://otodamaradio.blog16.fc2.com/

{accordeon synth}
ryotaro http://www.ryotaro.info/

{contrabass}
岡田康孝 Okada Yasutaka  

{trumpet}
Christopher Fryman

{live video mapping}
Andy Couzens & Masato Tokumaru

{translation}
吉村哲幸
noriyuki yoshimura

BRDG presents “117 -one one seven” “Ghost House Gone House” @ Urbanguild; 10/23

117-flier-ug-23rd-oct

Our friend Bridget Scott writes…

I’d like to tell you about a performance that I have been involved in. It began with me being interviewed by Keiko Yamaguchi,the director of a Kyoto based theatre group BRDG. The first question she asked me was, “Tell me about the house you grew up in.” After two hours, she declared it could be the starting point of a play. Yamaguchi also interviewed my aged father in London. The story emerged by weaving these two interviews together. Now three years later, we – that’s BRDG( Keiko Yamaguchi, Tatsunori Imamura and Hiromi Demura actors and Toru Koda as sound technician) have just returned from performing the resulting piece “117-one-one-seven” in London, in the same neighbourhood as the house.

On Sunday 23rd October, we shall transform Urbanguild into a theatre space and perform 2 shows, a matinee and evening performance at 3pm and 8pm.

It is a double double bill with London based music duo, RABBIT who will improvise music to video of the same crumbling Victorian house.

Be warned this show will stimulate your senses, including your sense of smell and taste. It touches on issues of being a foreigner in Japan, amongst many other hearty topics. It is bilingual.

Urbanguild will be NO SMOKING and NO FOOD WILL BE SERVED on 23rd October. This will enable the audience to hear the spoken word and enjoy the smells generated by the performance.

More information in English:http://brdg-ing.tumblr.com/

FaceBook link: https://www.facebook.com/events/1078284298945290/

Reservations: http://urbanguild.net/ur_schedule/?page_id=25

This production has been funded by DAIWA and SASAKAWA FOUNDATIONS and crowdfunding and blood sweat and tears of BRDG theatre company.

117-flier-back

Vent & Eau – A Concert by Yannick Paget

Yannick Paget will conduct an original concert “Voice of 風水” for La Nuit Blanche at Kyoto Art Center on October 1st from 16.00 – 17.30.

yannick-paget

Here’s Yannick with some background to the piece:

“It was an exciting challenge to start the new KAC’s cycle “listening to the voice of Feng shui”, especially in a town like Kyoto that had a minister of Feng Sui for so many years and that incarnate the rules of Feng Sui. I tried in my piece “Vent et Eau” to catch the spirit of this science. Feng shui regulates our environment to produce balance and harmony; it allies poetry and science, spirituality and rationality, using many different tools.

I didn’t explore in this piece all of them but I choose to highlight the feng shui compass Which organize elements, direction and seasons and the magic square that forms the foundation of many feng shui tools and calculations.

The 5th elements:
“Vent et eau” is the French translation of the kanjis風and 水, the two main element of the feng shui. They appear first in this piece introduction because the wind and the water disperse and stop all energies on earth. Then, I worked with the 5th elements as such dissimilar musical substances that have to find a unity and an harmony.
Each element is associated to a group of instruments and succeeds in the cycle of birth order, each one giving birth and nourishing the following one: Earth (strings), Metal (brass), Water (harp, piano), Wood (clarinet, flute), Fire (percussions)
The final evokes, the « shi » or the « ki », with fusion and harmony

Direction:
To associate each element to a direction, all instruments are spatialized;
Earth (strings): CENTER, Metal (brass): WEST, Water (harp, piano): NORTH Wood (clarinet, flute): EST, Fire (percussions): SOUTH

Seasons
Seasons are interposed as a link connecting each element.
That way, ruff non-human & mineral material also alternates with human life and the rhythms of seasons. The singers, to express the season and this human life sing text extract from the timelessness haikus from Basho.

The magic square in which all numbers add to 15 in all directions
I used It for the rhythms with cycle of 15 bits and combination like 7 /5 /3: (3/2/2) (3/2) (3).
I worked with Modes of limited transposition compiled by the French composer Olivier Messiaen. They are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups.
In the final, I choose the Mode of limited transposition number 3. It includes 9 notes each of them being assigned to a number. Then I could generate chords of 3 notes using the magic square.”

– Yannick Paget September 2016

For more information please visit the Kyoto Art Center website at http://www.kac.or.jp/events/19346/.

“To The Village Square” – An Evening with Photographer Lionel Delevingne

Here’s a message from Lionel Delevingne about an event tomorrow night!

village

Friday, September 30th
7pm 〜9pm

at Impact Hub Kyoto

Lionel Delevingne will be at Impact Hub Kyoto to present and speak about the photographic images from his book “To The Village Square”, with comments from Aileen Mioko Smith of Green Action (Kyoto). We look forward to a lively discussion with audience and speakers.

To the Village Square
From Montague to Fukushima: 1975- 2014

Retracing the birth of the safe energy movement starting in Montague, Massachusetts in 1974 through Three Mile Island, Chernobyl and Fukushima.
http://www.tothevillagesquare.net

“To the village square we must carry the facts of atomic energy.
From there must come America’s voice.”
Albert Einstein, June 1946

Place: Impact Hub Kyoto
Nishijin IT ro-ji building ,97 Kainokamicho, Kamigyo Ward, Kyoto
(Just west of Aburanokoji and Nakadachiuri intersection.)
Enter from the gate at west side of building next to pay phone.
Phone: 075-417-0115

English / Japanese interpreting.
All Welcome.
No reservation required.
Admission Free
Green Action
E-mail: info[at]greenaction-japan.org
HP: http://www.greenaction-japan.org/

The 7th Kyoto Photo Walk with Javier Montano!

It’s happening again! Wait – I think I recognize these two…

photowalk

Here’s our friend Javier Montano with the details:

The 7th Kyoto Photo Walk:

– Meet new friends and learn about photography in beautiful Fushimi-inari Taisha.

– All you need is a camera or a smartphone

– Let’s Take the biggest selfie in Kyoto!

– Please register now, It is FREE! You have 2 options:

Join just the photo walk or
Join the photo walk and the after party at a Japanese izakaya for food and drinks (about 3.000 Yen per person which is paid on the day of the event).

FAQs

Are there ID requirements or an age limit to enter the event?

No. Anyone can come. If you can walk and go up stairs you can come!

What are my transport/parking options getting to the event?

Your options:

– Come by train to Fushimi-Inari Station (伏見稲荷駅 Fushimi-Inari-eki) a railway station located in Fushimi-ku, Kyoto, on the Keihan Electric Railway Keihan Main Line.

– Come by train by JR Inari Station, the second station from Kyoto Station along the JR Nara Line.

– Buses are available too but it depends where are you coming from.

What can I bring to the event?

Please bring a camera. Any camera will do. Other gear such as tripods are welcomed as well.

Where can I contact the organizer with any questions?

Send me a message at info@javiermontano.net

When: Sunday, September 25, 2016 from 1:00 PM to 5:00 PM (JST) – Add to Calendar

Where: Fushimi-Inari Station – Fushimi Ward, Kyoto Prefecture 612-0007

Register here: Kyoto Photowalk (7th!)

The 6th Kyoto Photo Walk with Javier Montaño

Here’s our friend, Javier Montaño, with news of The 6th Kyoto Photo Walk. All queries regarding this event should be sent directly to Javier at info@javiermontano.net

photowalk

Date & Time: 24 April at 14:00–19:00
Meeting Place: Takaragaike Park, 国際会館駅 , Kokusai-Kaikan-eki. In front of Entrance No. 3 (train station on Subway Karasuma Line), Kyoto, JP

Spring has come and it’s time to shoot again- Meet new friends and learn about photography in beautiful Kyoto.- All you need is a camera or a smartphone- Let’s Take the biggest selfie in Kyoto!- The Photowalk is FREE of charge but you have 2 options:

Join just the photowalk or
Join the photowalk and the afterparty at a Japanese Izakaya for food and drinks (3000 Yen per person which is paid on the day of the event).

FAQs
1. How do I make a reservation?
Easy! Go to the Eventbrite Photowalk event page. Click on “Register”. Select one of the 2 options: the photowalker ticket or the photowalker + afterparty ticket.
2. What if it rains?
We photograph in rain. In the event that there is a weather cancellation because of a Typhoon or something similar, I will do my best to contact and let you know. If, however, you are unsure, feel free to call or text 090-9889-1640 to see if the photowalk is still running.
3. What if I don’t have a DSLR or PRO camera?
It does not matter. Any camera will do!
4. What should I bring besides my camera?
Enthusiasm to meet new people. Friends or family are also fun to bring with you.
Dress appropriately for the weather, as we will be outside for the most part.
A tripod could be handy too, but it is not indispensable.
A bottle of water is a good idea too.
5. Where do we meet?
In front of Entrance No. 3 of the station at 2 PM
6.How long are the photowalks?
Normally they will last until around 6:30 PM or 7:00 PM. After that, we will move on to the afterparty.
7. Is everyone in the group at the same skill level?
Not at all! People come with different levels of photography experience but we all learn from each other.
8. How do you accept payment?
The photowalk is and will always be free! During the after party we will start receiving cash in order to pay for the food and drinks served.
9. Where can I contact the organizer with any questions?
Send me an email at info@javiermontano.net
Remember, the photowalk is and will always be free!