Category Archives: Up-and-coming…

BRDG presents “117 -one one seven” “Ghost House Gone House” @ Urbanguild; 10/23


Our friend Bridget Scott writes…

I’d like to tell you about a performance that I have been involved in. It began with me being interviewed by Keiko Yamaguchi,the director of a Kyoto based theatre group BRDG. The first question she asked me was, “Tell me about the house you grew up in.” After two hours, she declared it could be the starting point of a play. Yamaguchi also interviewed my aged father in London. The story emerged by weaving these two interviews together. Now three years later, we – that’s BRDG( Keiko Yamaguchi, Tatsunori Imamura and Hiromi Demura actors and Toru Koda as sound technician) have just returned from performing the resulting piece “117-one-one-seven” in London, in the same neighbourhood as the house.

On Sunday 23rd October, we shall transform Urbanguild into a theatre space and perform 2 shows, a matinee and evening performance at 3pm and 8pm.

It is a double double bill with London based music duo, RABBIT who will improvise music to video of the same crumbling Victorian house.

Be warned this show will stimulate your senses, including your sense of smell and taste. It touches on issues of being a foreigner in Japan, amongst many other hearty topics. It is bilingual.

Urbanguild will be NO SMOKING and NO FOOD WILL BE SERVED on 23rd October. This will enable the audience to hear the spoken word and enjoy the smells generated by the performance.

More information in English:

FaceBook link:


This production has been funded by DAIWA and SASAKAWA FOUNDATIONS and crowdfunding and blood sweat and tears of BRDG theatre company.


Vent & Eau – A Concert by Yannick Paget

Yannick Paget will conduct an original concert “Voice of 風水” for La Nuit Blanche at Kyoto Art Center on October 1st from 16.00 – 17.30.


Here’s Yannick with some background to the piece:

“It was an exciting challenge to start the new KAC’s cycle “listening to the voice of Feng shui”, especially in a town like Kyoto that had a minister of Feng Sui for so many years and that incarnate the rules of Feng Sui. I tried in my piece “Vent et Eau” to catch the spirit of this science. Feng shui regulates our environment to produce balance and harmony; it allies poetry and science, spirituality and rationality, using many different tools.

I didn’t explore in this piece all of them but I choose to highlight the feng shui compass Which organize elements, direction and seasons and the magic square that forms the foundation of many feng shui tools and calculations.

The 5th elements:
“Vent et eau” is the French translation of the kanjis風and 水, the two main element of the feng shui. They appear first in this piece introduction because the wind and the water disperse and stop all energies on earth. Then, I worked with the 5th elements as such dissimilar musical substances that have to find a unity and an harmony.
Each element is associated to a group of instruments and succeeds in the cycle of birth order, each one giving birth and nourishing the following one: Earth (strings), Metal (brass), Water (harp, piano), Wood (clarinet, flute), Fire (percussions)
The final evokes, the « shi » or the « ki », with fusion and harmony

To associate each element to a direction, all instruments are spatialized;
Earth (strings): CENTER, Metal (brass): WEST, Water (harp, piano): NORTH Wood (clarinet, flute): EST, Fire (percussions): SOUTH

Seasons are interposed as a link connecting each element.
That way, ruff non-human & mineral material also alternates with human life and the rhythms of seasons. The singers, to express the season and this human life sing text extract from the timelessness haikus from Basho.

The magic square in which all numbers add to 15 in all directions
I used It for the rhythms with cycle of 15 bits and combination like 7 /5 /3: (3/2/2) (3/2) (3).
I worked with Modes of limited transposition compiled by the French composer Olivier Messiaen. They are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups.
In the final, I choose the Mode of limited transposition number 3. It includes 9 notes each of them being assigned to a number. Then I could generate chords of 3 notes using the magic square.”

– Yannick Paget September 2016

For more information please visit the Kyoto Art Center website at

“To The Village Square” – An Evening with Photographer Lionel Delevingne

Here’s a message from Lionel Delevingne about an event tomorrow night!


Friday, September 30th
7pm 〜9pm

at Impact Hub Kyoto

Lionel Delevingne will be at Impact Hub Kyoto to present and speak about the photographic images from his book “To The Village Square”, with comments from Aileen Mioko Smith of Green Action (Kyoto). We look forward to a lively discussion with audience and speakers.

To the Village Square
From Montague to Fukushima: 1975- 2014

Retracing the birth of the safe energy movement starting in Montague, Massachusetts in 1974 through Three Mile Island, Chernobyl and Fukushima.

“To the village square we must carry the facts of atomic energy.
From there must come America’s voice.”
Albert Einstein, June 1946

Place: Impact Hub Kyoto
Nishijin IT ro-ji building ,97 Kainokamicho, Kamigyo Ward, Kyoto
(Just west of Aburanokoji and Nakadachiuri intersection.)
Enter from the gate at west side of building next to pay phone.
Phone: 075-417-0115

English / Japanese interpreting.
All Welcome.
No reservation required.
Admission Free
Green Action
E-mail: info[at]

The 7th Kyoto Photo Walk with Javier Montano!

It’s happening again! Wait – I think I recognize these two…


Here’s our friend Javier Montano with the details:

The 7th Kyoto Photo Walk:

– Meet new friends and learn about photography in beautiful Fushimi-inari Taisha.

– All you need is a camera or a smartphone

– Let’s Take the biggest selfie in Kyoto!

– Please register now, It is FREE! You have 2 options:

Join just the photo walk or
Join the photo walk and the after party at a Japanese izakaya for food and drinks (about 3.000 Yen per person which is paid on the day of the event).


Are there ID requirements or an age limit to enter the event?

No. Anyone can come. If you can walk and go up stairs you can come!

What are my transport/parking options getting to the event?

Your options:

– Come by train to Fushimi-Inari Station (伏見稲荷駅 Fushimi-Inari-eki) a railway station located in Fushimi-ku, Kyoto, on the Keihan Electric Railway Keihan Main Line.

– Come by train by JR Inari Station, the second station from Kyoto Station along the JR Nara Line.

– Buses are available too but it depends where are you coming from.

What can I bring to the event?

Please bring a camera. Any camera will do. Other gear such as tripods are welcomed as well.

Where can I contact the organizer with any questions?

Send me a message at

When: Sunday, September 25, 2016 from 1:00 PM to 5:00 PM (JST) – Add to Calendar

Where: Fushimi-Inari Station – Fushimi Ward, Kyoto Prefecture 612-0007

Register here: Kyoto Photowalk (7th!)

Arabesk Return to Kyoto


“One of the most rewarding aspects of living in a multicultural society like Australia is the remarkable diversity of music heard – African, European, Arabic, Asian, Latin. Sydney-based quartet Arabesk take these disparate international sounds, spice them with their musical experience and mould them into their own unique style. Theirs is a journey of constant discovery that defies genres. The label Gypsy Jazz is only a hint at the musical language this powerhouse of innovation speaks. Having won local awards, they play extensively throughout Australia at festivals and venues large and small.”

The brilliant Australian Gypsy Jazz band Arabesk will be playing with singer Akou at Modern Times, Kyoto on August 16th. Catch them if you can!

open 17:30 / start 18:00
*18:00 – 19:50 Live and Jam Session
*20:00 – 20:50 Okuribi Bonfire – Free Time
*:21:00 – 23:00 Live and Jam Session
charge 2500yen (+1Drink)

Location: Modern Times is in the basement of the Empire Building on the east side of Kiyamachi a short walk south of Oike. Here is a map.

Here’s a clip of them playing last year at Kyoto’s famous Blue Note venue.

Kyoto Journal #86 – OUT JULY 25th 2016

Some news from KJ…


The 6th Kyoto Photo Walk with Javier Montaño

Here’s our friend, Javier Montaño, with news of The 6th Kyoto Photo Walk. All queries regarding this event should be sent directly to Javier at


Date & Time: 24 April at 14:00–19:00
Meeting Place: Takaragaike Park, 国際会館駅 , Kokusai-Kaikan-eki. In front of Entrance No. 3 (train station on Subway Karasuma Line), Kyoto, JP

Spring has come and it’s time to shoot again- Meet new friends and learn about photography in beautiful Kyoto.- All you need is a camera or a smartphone- Let’s Take the biggest selfie in Kyoto!- The Photowalk is FREE of charge but you have 2 options:

Join just the photowalk or
Join the photowalk and the afterparty at a Japanese Izakaya for food and drinks (3000 Yen per person which is paid on the day of the event).

1. How do I make a reservation?
Easy! Go to the Eventbrite Photowalk event page. Click on “Register”. Select one of the 2 options: the photowalker ticket or the photowalker + afterparty ticket.
2. What if it rains?
We photograph in rain. In the event that there is a weather cancellation because of a Typhoon or something similar, I will do my best to contact and let you know. If, however, you are unsure, feel free to call or text 090-9889-1640 to see if the photowalk is still running.
3. What if I don’t have a DSLR or PRO camera?
It does not matter. Any camera will do!
4. What should I bring besides my camera?
Enthusiasm to meet new people. Friends or family are also fun to bring with you.
Dress appropriately for the weather, as we will be outside for the most part.
A tripod could be handy too, but it is not indispensable.
A bottle of water is a good idea too.
5. Where do we meet?
In front of Entrance No. 3 of the station at 2 PM
6.How long are the photowalks?
Normally they will last until around 6:30 PM or 7:00 PM. After that, we will move on to the afterparty.
7. Is everyone in the group at the same skill level?
Not at all! People come with different levels of photography experience but we all learn from each other.
8. How do you accept payment?
The photowalk is and will always be free! During the after party we will start receiving cash in order to pay for the food and drinks served.
9. Where can I contact the organizer with any questions?
Send me an email at
Remember, the photowalk is and will always be free!

Kyotographie 2016 – Masterclass & Tour

Kyotographie is Kyoto’s annual international photography festival, this year being held at various venues around the city from April 23rd Sat to May 22nd. In addition to the regular exhibitions and events, this year there will also be a tour and a masterclass. Find out more below!

Shinichi Suzuki II, Tea Ceremony, 1880’s © MNAAG.

Shinichi Suzuki II, Tea Ceremony, 1880’s © MNAAG.

Kyotographie Tour

This full day tour costs 7,000 yen.

“For its fourth edition, April 23rd – May 22nd, 2016 KYOTOGRAPHIE International Photography Festival returns with 14 exhibitions, in 15 venues with two associated programs. These major exhibiting artists are presented inside historical buildings (Old tea houses, tradtional artisan buildings, temples and garden). This year theme is « CIRCLE OF LIFE ». The Festival, with more than 60,000 visitors last year, is now considered a major international artistic event in Asia, gathering both photography lovers, professionals and the general public. We offer you an intimate chance to discover a selection of KYOTOGRAPHIE exhibitions. The KYOTOGRAPHIE passport (included in the visit fee) gives you access to all the exhibitions.”

To find out more about the tour please visit the Japan Experience website.

Kyotographie Masterclass: DREAMS TO REALITY
With Arno Rafael Minkkinen

Fosters Pond, 1989 ©Arno Rafael Minkkinen courtesy PUG OSLO

Fosters Pond, 1989 ©Arno Rafael Minkkinen courtesy PUG OSLO

“Improve or find your personal visual language and style. Developing a personal & recognisable style is key to photographic practice, it also allows a photographer to change subject matter, maintaining identity.
Arno Rafael Minkkinen is a Finnish-­‐American photographer, educator, curator, and writer with over 100 solo shows and nearly 200 group exhibitions in galleries and museums worldwide.”

Date : April 23rd 10:00-12:00*
25th, 26th 9:00-17:00
Fee : 20,000JPY (tax inclusive)
Venue : Ryosokuin (Kenninji Temple)
Language : English with Japanese translation
Inquiries :

For application details please visit this page:

To find out more about the various exhibitions and events, you can visit the official website or download a presskit.

Miksang Contemplative Photography; Kyoto Workshop: May 4th – 15th 2016

Thanks to Lisa Allen for sharing the following course information:


Photo by Julie DuBose

Kyoto Journal and The Miksang Institute are co-hosting a special ten-day intensive Miksang Contemplative Photography workshop in Kyoto from May 4-15, 2016.

The course will be taught by teachers, Michael Wood and Julie DuBose, and will include the first three levels in the Miksang training curriculum: Opening the Good Eye, Making Contact, and The Heart Of Perception.

Instruction will be in English with Japanese translation. Cost for the entire 10-day course is $1000 USD. The workshop will be held at Kyoto International Community House. This special workshop will begin Wednesday evening, May 4th and end at 5:00pm on May 15th, 2016. Monday May 9th will be a day off.

For more information, please email:

For more workshop details and registration information:

What is Miksang?

Miksang is a form of contemplative photography that asks us to see our world in a new way. In some ways it seems very simple, but it is not always easy.

If we can place our mind’s attention, our awareness, in our sense of sight, we will see vivid, mind stopping perceptions fully and completely, without distraction. And when that happens, we can connect with what we see deeply and intimately.

This requires stillness of mind, patience, and the desire to really see what is there, so that we can understand how to express what we are seeing with our camera simply and precisely.

Miksang is photography in which we use the camera to express our visual perceptions exactly as we experience them. Because we know how to prepare ourselves to receive perceptions when we see them, and we know how to understand exactly what we have seen, we then know exactly how to express what we have seen with our camera. The resulting image is an exact expression of our eye, mind, and heart as it connects with the perception.

Miksang means ‘Good Eye’ in Tibetan. We all have a Good Eye as part of our human makeup. This means we have the ability to see the world in a pure way, without overlays of meaning and value, pleasure, dislike, or disinterest.

When we can see with our Good Eye, the world is always fresh, because everything we see is as for the first time. There is no memory, no association, only the world manifesting to us, as it is, out of nowhere.

These perceptions are vibrant and vivid, pulsating with life. The visual world is our feast, our playground.

Seeing in this way brings us joy in being alive.

Through our images we can express our experience of seeing. Our photographs will carry within them our heart, our mind, the blood of our experience.

Another Night of Japanese Sake and Cuisine – Sponsored by Takara Shuzo

Here’s some news from Chris Malcolm about the next Takara Shuzo sake tasting event. These events are extremely enjoyable and educational too. Apply quickly though, as seats are limited and places get booked up quick! All queries should be directed to the email address given below.

sake night 1


Takara Shuzo, based in Kyoto and one of Japan’s leading sake and shochu producers, is looking for non-Japanese participants for a fun and informative night of Japanese food and sake at a beautiful Kyoto-style town home in Higashiyama, Kyoto. This cultural event will be hosted in English by international staff from Takara Shuzo, and attendees will have a chance to taste and learn about 9 premium sake, including several daiginjo varieties, while enjoying a full meal*. Before dinner, the staff will give a short seminar on sake and a guided tasting. In addition to the meal, participants will receive a bottle of Mio Sparkling Sake at the end in exchange for their cooperation in filling out a couple of short surveys.

*Please inform us of any dietary concerns at the time of your application.


500 yen. This includes a full meal, and sampling of 9 premium sake.


Friday, March 11 from 6:30pm (doors open at 6:15) until 8:30pm.


The event is limited to 16 non-Japanese guests.

Application Method:

・Simply send a message with your name in an Email titled ‘Sake Tasting’ to If you wish to invite friends, please include their names in the Email as well.

Application deadline: Wed. March 9, 2016 at 5:00pm.

・All applicants will be notified by email with the result of their application.

・Participants will be determined via their applications on a first come, first serve basis.

・If we have reached capacity at the time of your application, we will add you to a waitlist and contact you if there are any cancellations, or for the next edition of this event.


5 min from Higashiyama Station on Kyoto’s Tozai subway line. Participants will be given specific location details, and event and contact information via email once their participation is confirmed.

* Participants are not to drive to the event by car, motorcycle or bicycle, as alcoholic beverages will be served and we do not have available parking facilities.


・Any information collected via Email from attendees will be used solely for the organization of this event or future editions of the same event for applicants unable to attend due to overcapacity.

・Takara Shuzo does not sell, trade, or rent your personal information to others.

・All guests must be at least 20 years old.

We look forward to seeing you there!

Takara Guest House-1