Category Archives: Performance

Ensō Watt‎ Perform Clonologic Horizone® at Urbanguild Tomorrow!

Our favorite experimental multi-media performance group will be blowing minds again at Kyoto’s Urbanguild tomorrow night. Don’t miss this if you are free and in town.

clonologic

Date: 5 November 2016
Time: 19:30–1:00
Venue: UrBANGUILD Kyoto
http://www.urbanguild.net/
map : https://goo.gl/maps/wHTfPYvzDEN2
door 2800 yen
adv 2000 yen
student 1500 yen
+1 drink

ensō watt (http://ensowatt.org/)
is
{electronics, spatialization}
Samuel André ( aka ieva ) http://ieva.free.fr/e

{scenario, poetry }
Chris Mosdell http://chrismosdell.com/

{composer, conductor, percussionist}
Yannick Paget http://www.yannickpaget.com/

{piano }
江南泰佐 Taisuke Enami http://otodamaradio.blog16.fc2.com/

{accordeon synth}
ryotaro http://www.ryotaro.info/

{contrabass}
岡田康孝 Okada Yasutaka  

{trumpet}
Christopher Fryman

{live video mapping}
Andy Couzens & Masato Tokumaru

{translation}
吉村哲幸
noriyuki yoshimura

BRDG presents “117 -one one seven” “Ghost House Gone House” @ Urbanguild; 10/23

117-flier-ug-23rd-oct

Our friend Bridget Scott writes…

I’d like to tell you about a performance that I have been involved in. It began with me being interviewed by Keiko Yamaguchi,the director of a Kyoto based theatre group BRDG. The first question she asked me was, “Tell me about the house you grew up in.” After two hours, she declared it could be the starting point of a play. Yamaguchi also interviewed my aged father in London. The story emerged by weaving these two interviews together. Now three years later, we – that’s BRDG( Keiko Yamaguchi, Tatsunori Imamura and Hiromi Demura actors and Toru Koda as sound technician) have just returned from performing the resulting piece “117-one-one-seven” in London, in the same neighbourhood as the house.

On Sunday 23rd October, we shall transform Urbanguild into a theatre space and perform 2 shows, a matinee and evening performance at 3pm and 8pm.

It is a double double bill with London based music duo, RABBIT who will improvise music to video of the same crumbling Victorian house.

Be warned this show will stimulate your senses, including your sense of smell and taste. It touches on issues of being a foreigner in Japan, amongst many other hearty topics. It is bilingual.

Urbanguild will be NO SMOKING and NO FOOD WILL BE SERVED on 23rd October. This will enable the audience to hear the spoken word and enjoy the smells generated by the performance.

More information in English:http://brdg-ing.tumblr.com/

FaceBook link: https://www.facebook.com/events/1078284298945290/

Reservations: http://urbanguild.net/ur_schedule/?page_id=25

This production has been funded by DAIWA and SASAKAWA FOUNDATIONS and crowdfunding and blood sweat and tears of BRDG theatre company.

117-flier-back

Vent & Eau – A Concert by Yannick Paget

Yannick Paget will conduct an original concert “Voice of 風水” for La Nuit Blanche at Kyoto Art Center on October 1st from 16.00 – 17.30.

yannick-paget

Here’s Yannick with some background to the piece:

“It was an exciting challenge to start the new KAC’s cycle “listening to the voice of Feng shui”, especially in a town like Kyoto that had a minister of Feng Sui for so many years and that incarnate the rules of Feng Sui. I tried in my piece “Vent et Eau” to catch the spirit of this science. Feng shui regulates our environment to produce balance and harmony; it allies poetry and science, spirituality and rationality, using many different tools.

I didn’t explore in this piece all of them but I choose to highlight the feng shui compass Which organize elements, direction and seasons and the magic square that forms the foundation of many feng shui tools and calculations.

The 5th elements:
“Vent et eau” is the French translation of the kanjis風and 水, the two main element of the feng shui. They appear first in this piece introduction because the wind and the water disperse and stop all energies on earth. Then, I worked with the 5th elements as such dissimilar musical substances that have to find a unity and an harmony.
Each element is associated to a group of instruments and succeeds in the cycle of birth order, each one giving birth and nourishing the following one: Earth (strings), Metal (brass), Water (harp, piano), Wood (clarinet, flute), Fire (percussions)
The final evokes, the « shi » or the « ki », with fusion and harmony

Direction:
To associate each element to a direction, all instruments are spatialized;
Earth (strings): CENTER, Metal (brass): WEST, Water (harp, piano): NORTH Wood (clarinet, flute): EST, Fire (percussions): SOUTH

Seasons
Seasons are interposed as a link connecting each element.
That way, ruff non-human & mineral material also alternates with human life and the rhythms of seasons. The singers, to express the season and this human life sing text extract from the timelessness haikus from Basho.

The magic square in which all numbers add to 15 in all directions
I used It for the rhythms with cycle of 15 bits and combination like 7 /5 /3: (3/2/2) (3/2) (3).
I worked with Modes of limited transposition compiled by the French composer Olivier Messiaen. They are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups.
In the final, I choose the Mode of limited transposition number 3. It includes 9 notes each of them being assigned to a number. Then I could generate chords of 3 notes using the magic square.”

– Yannick Paget September 2016

For more information please visit the Kyoto Art Center website at http://www.kac.or.jp/events/19346/.

Pictures from Enso Watt & Instant Eternity!

2016-01-24 21.47.59

Enso Watt performed Sanka’s 5th Season Ritual at Urbanguild on Sunday night and as always it was a fantastic show. If you are not familiar with what they do, it is a choreographed multi-media extravaganza, of experimental music, pre-recorded soundscapes, live video, art, poetry, heaps of talent, color, and a whole lot of enthusiasm. All of it conducted by classical composer/conductor Yannick Paget, and inspired by the poetry of Chris Mosdell. Sometimes when they are all playing and the lyrics are bubbling from Chris Mosdell’s mouth, I feel like they are just happily playing, that I don’t need to take it so seriously, just go along for the ride. But by the time we got to the 3rd act on Sunday night, I was thoroughly sucked in by the poet’s words, swept up by the music, and Yannick’s pounding drums… enthralled, enthused, moved and inspired.

2016-01-24 21.48.28
“We are elementary,” said the poet, “awakening from a phantasmagorical sleep… We have lived everywhere…”

2016-01-24 20.55.47
Words and music, light and sound were bringing us back to our first beginnings, and to our essential unity: “We have learnt to dissolve in all directions, to transfer identities.”

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“We are an ancient race with an essential innocence, with virginity in our veins–”

2016-01-24 21.48.08

Imagine that; a creed underlying culture that celebrated our essential innocence, rather than the dead weight of original sin.

2016-01-24 22.29.54
I was intoxicated by the energy of this performance. My mind was taking the poet’s lyrics and spinning new mythologies, new litanies of healing, multiplying through “dimensions, strata, levels, layers…”  I imagined the Sanka Rites poured into the common consciousness, overwhelming  terror and trauma, washing away tired philosophies of division and denial! How splendid to be “charged with renegade magic”, to celebrate and build rather than fight and destroy!

2016-01-24 22.32.34

Thoughts like these went through my mind at Sanka’s 5th Ritual.

Many thanks to all the participants in Sunday night’s show. There really is nothing else like the raw mix of talent and adventurous spirit that makes up the Enso Watt collective.

2016-01-24 23.11.34
But will they play again, I wonder? After Eternity, what next?

ensō watt are
{soundscape, spatialization}
Samuel André (aka ieva)

{composer, conductor, percussionist}
Yannick Paget

{poetry}
Chris Mosdell

{piano }
江南泰佐 Taisuke Enami

{accordeon synth}
ryotaro

{contrabass}
岡田康孝 Okada Yasutaka

{guest : trumpet}
Christopher Fryman

{live video mapping}
Andy Couzens & Masato Tokumaru

{drawing}
Hirisha Metha

{translation}
吉村哲幸
noriyuki yoshimura

See also: Images from Sanka’s Winter Ritual

Ensō Watt Return to UrbanGuild for Sanka’s Fifth Ritual!

Oh boy! They are back! This is going to be great!

enso

From Marguerite Paget:

Dear Friends
Ensō Watt is coming back for the Sanka’s Fifth season Ritual !
After completing the “seasonal cycle” (the rites of summer, autumn, winter and spring), honoring the 100th anniversary of Igor Stravinsky’s revolutionary Rite of Spring, the musical/visual ensemble Ensō Watt will add a fifth season: INSTANT ETERNITY – a journey through the Great Void on “reincarnation runs,” in their mind-feathers and abyss oil, in search of the Lost City of Abstract Hours.
Come along for the ride!

Ensō Watt is an artist collective born in Kyoto from the encounter of artists coming from different countries and raised in entirely different artistic universe, from classical music to electro, improvisation and sound-design.
http://www.ensowatt.org

2016 January 24th (Sunday)
Venue: UrBANGUILD Kyoto

http://www.urbanguild.net/
map : https://goo.gl/maps/wHTfPYvzDEN2

On the door: 2800 yen / In advance: 2100 yen
Students: 1600 yen
+1 drink

ensō watt is
{soundscape, spatialization}
Samuel André (aka ieva)

{composer, conductor, percussionist}
Yannick Paget

{poetry}
Chris Mosdell

{piano }
江南泰佐 Taisuke Enami

{accordeon synth}
ryotaro

{contrabass}
岡田康孝 Okada Yasutaka  

{guest : trumpet}
Christopher Fryman

{live video mapping}
Andy Couzens & Masato Tokumaru

{drawing}
Hirisha Metha

{translation}
吉村哲幸
noriyuki yoshimura

See also: Sanka’s Winter Ritual

NUIT BLANCHE 2015 -KYOTO OPENING PERFORMANCE « Langage, texture et mouvement »

From Marguerite Paget

NUIT BLANCHE 2015 -KYOTO OPENING PERFORMANCE « Langage, texture et mouvement »

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October 3rd 2015
Kyoto International Manga Museum – 19:00
UrBANGUILD Open 20:00 – Starts 20:30

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«Langage, Texture et Mouvement» is a unique mix-media live performance which gathers classical conductor, composer and percussionist YANNICK PAGET, filmmaker and visual artist ALEXANDRE MAUBERT (Villa Kujoyama 2012), painter DAIJIRO HAMA and electro artist YOHEI YAMAKADO for a special artistic collaboration. Staged in front of Kyoto International Manga Museum (October 3rd, 19:00), the performance will launch the 5th edition of the Contemporary Art Festival : Nuit Blanche Kyoto which 2015 theme is « Fashion x Contemporary Art ».

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« Langage, texture et mouvement » : an artistic encounter
Initiated by Yannick Paget this group performance explores fashion, as an art of
appearance that connects or disconnects us, forms communities or leads to rejection. Appearance draws a limit between our interior & our exterior. It creates frontiers, materialized by the textile. Like interlaced fabric, this musical live performance explores physicality; turning fabric into human tissue through the collaboration and encounter of artists coming from different countries, raised in entirely different artistic universe, from classical music to electro or improvisation and using different mediums (video, music, painting, dance…).

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While Alexandre Maubert’s vidéos with Daijiro Hama’s painting and the dancers, Kyoko Nomura (Monochrome Circus), Asuka Ueki, Eri Chian, Caitlin Coker and Mina Yoshida will be projected on the wall of the Kyoto International Manga
Museum, conductor and composer Yannick Paget will perform together with the electro artist Yohei Yamakado, playing percussion live (some made out of textile), and conducting the musicians scattered throughout the venue.

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Following the Manga Museum performance the artists will continue the experiment at UrBANGUILD inviting the public to join them for a night of hybrid performance, connecting music, contemporary dance, live painting and video.

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About Nuit Blanche Kyoto
Every autumn, Paris stages a one-night arts festival called Nuit Blanche (“White Night”) celebrating contemporary art. During this night, museums, private and public art galleries and other cultural institutions are open and free of charge, turning the centre of the city itself into a de facto art gallery and providing space for art installations, performances (music, film, dance, performance art), themed social gatherings, and other activities. For the 5th time, Kyoto, sister city of Paris, holds the companion event “Nuit Blanche Kyoto” in various spots around the city welcoming the public to enjoy both Japanese and French contemporary artworks for free and lighting up Kyoto’s night in a wide range of events including performances, exhibitions and projection mapping on building exteriors.

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In 2015 Nuit Blanche Kyoto presents : « Fashion x Contemporary Art » a promising wide-ranging program :
Paris and Kyoto: both cities have long good tradition of art and craft. Moreover both cities have developed a strong culture of fashion. Nuit Blanche Kyoto 2015 is considering the possibility of cultural exchange through a passage of fashion. We are somehow connected to fashion even when we are unconscious. It’s an everyday tool, a business and a medium of expression. We are contemplating how fashion and art are related from now on. In 21st. century, how do the two cities create in those fields? Nuit Blanche Kyoto 2015 introduces some remarkable works by artists, craftsman and designers under the theme of New Creation in Kyoto. We explores the new relations between art and fashion. We care for tradition but we need to find a way to reinvent it.
Advisors: Hiroshi Ashida (Seika University), Makoto Ishizeki (Kyoto Costume
Institute), Hiroshi Narumi (Kyoto Joshi University)
More information : http://www.nuitblanche.jp/en/

Venues : Kyoto International Manga Museum – 19:00
Karasuma-Oike, Nagakyo-ku. TEL/ 075-254-7414
URBANGUILD – Open 20:00 – Starts 20:30
Nakagyō-ku Kiyamachi dori, Sanjō Sagaru New Kyoto Building 3F
TEL/FAX 075-212-1125
Press Contact : Marguerite Paget / mgtpaget@gmail.com / Mob : 090 6556 1974

New Directions Vol. 3 @ Urbanguild, Kyoto; July 9th

new directions

Our pal, Christopher Fryman, is hosting a series of New Directions events at Urbanguild these days, and has asked me to help spread the word about the next show on July 9th. As Christopher is a pal, and the list of performers does look rather good, and especially as this will be a NON-SMOKING EVENT (!!!) I am very happy to oblige.

First the details:

Date: July 9th 2015
Doors open: 19:30
Show starts: 20:00
Tickets on the door: 2200 yen + 1drink
Tickets in advance: 1700 yen + 1drink

Directions: To get to Urbanguild from Sanjo Dori, go down Kiyamachi Dori (This is the narrow street running alongside the Takase stream). Urbanguild is on the east side (the left hand side as you walk down from Sanjo) about 150 metres. It’s on the 3rd floor of the New Kyoto Building – access by elevator or stairs. Here is a MAP.

Here’s the list of performers:

Hitomi Shimizu
Takeshi Unate & Yuko Nazuna (calligrapher)
Siete passos para el cielo & Himeko Narumi (dancer)

Christopher is particularly keen that people come to see Kyoto-based composer Hitomi Shimizu who will be playing a quarter tone keyboard that she made herself. Here are some more details…

hitomishimizuHitomi SHIMIZU is a composer for film and TV soundtracks and winner of the Japan Academy Award 2001 for the Japanese film “Waterboys”. Hitomi has studied music composition since the age of 14 and is especially intersted in micro tuning. After graduating from Toho Gakuen Conservatoire, she built herself a 43-tone microtuning organ and made frequent live performances with violinist Hiromi NISHIDA as a duo “SYZYGYS” in Tokyo. She plays “microtuning pop” which is Hitomi’s life work. “SYZYGYS” CDs are available worldwide, produced by John Zorn on his TZADIK label. For her solo works, she plays 205/octave microtonal keyboard called “Tonal Plexus 6s” as well as her self made 43 tone organ.
unate
Takeshi Unate is an Asian style, one-man-band ‘pokopoko’ musician. He plays with body and spirit. His hands use many melodic instruments, singing with his mouth and nose, beating with his feet and an array of flutes, whistles and other rare instruments.

nazuna

Yuko Nazuna is a shodo (Japanese calligraphy) artist. She has performed live calligraphy at shrines and temples in Nara.

siete

SIETE PASSOS PARA EL CIELO are an esoteric free style band playing a beginning, middle, and end. Their influences range from Mahler to Mingus. They are

Kurata Kenichi – Bass
Ito Makoto – Sax
Christopher Fryman – Trumpet
盛田泰三  – Drums

himeko

Himeko Narumi is a dancer and art model who has danced all over Japan and participated in many International Festivals. She is currently a member of “The Physical Poets” that use body movements and dance. At the same time, she has a career as a solo dancer and has been working with music in improvisation dance sessions. She focuses on invisible things, a sense of air, music, mind and energy, and the spirit of the land…

All pictures courtesy of Christopher Fryman & Urbanguild.

Pendulum – Japanese Traditional Music Course @ Kyoto Geidai; August 18-20

Alison Tokita is running an intensive 3-day course on Japanese traditional music at Kyoto City University of Arts, August 18th – 20th, 2015.

Click to download PDF

Click to download PDF

This short-short course will introduce many of the genres of traditional Japanese music that have been transmitted to the present and are still actively performed. The course will also discuss the varied ways of experiencing musical modernity in the context of the overwhelming dominance of western music in Japan. It will provide an accessible overview of Japanese music culture for non-Japanese participants, including performers, composers and musicologists. It is also intended for Japanese participants who are interested in an international perspective on Japanese music, and students planning to study abroad who want to know something about their ‘own’ music as well as western music.

The major genres include gagaku, shōmyō, and shakuhachi and koto music. The narrative genres of heike and jōruri and their place in the nō, bunraku and kabuki theatres will be introduced. Practical encounter with some genres during learning sessions, and an evening concert will be included.

Cost: 5,000 yen (payable in cash at the commencement of the course)

Schedule: There will be two sessions per day over three days. Morning session 10:00-13:00 Afternoon session 14:00-17:00 (The following schedule may be adapted depending on the interests of participants.)

HOW TO APPLY: Registrations must be received by Friday July 31 by email. Payment will be made on the first day of the course, August 18, between 9:00 and 10:00. Registration form can be found on the website.
Enquiries and registration: public@kcua.ac.jp
Enquiries can also be made to the course convenor, Alison Tokita: tokita@kcua.ac.jp
Here is the link for further details and a contact form: http://jupiter.kcua.ac.jp/jtm/events/c_course/2015/hogakuatgeidai.html

A First View of Kabuki

"A Scene from A Play" by Masanobu Okumura (1686–1764), depicting Edo Ichimura-za theater in the early 1740s - public domain.

“A Scene from A Play” by Masanobu Okumura (1686–1764), depicting Edo Ichimura-za theater in the early 1740s – public domain.

My latest article for Inside Kyoto is about a visit to Kyoto’s Minamiza Theater to see a kabuki show. Going to see kabuki is one of those things I have long wanted to do, but somehow I had never gotten around to – until now. I had strong doubts before going about whether I could enjoy it, as I knew that the language would be archaic and difficult to understand. In the event I couldn’t understand a lot of what was going on in the show, but nonetheless I enjoyed it immensely. Find out why by clicking on the link!

Kabuki At Kyoto’s Minamiza Theater

The refreshment stand in Kyoto's Minamiza Theater.

The refreshment stand in Kyoto’s Minamiza Theater.

Sanka’s Spring Ritual: A Mixed Media Performance by Ensō Watt @ Urbanguild; April 29th

The fourth and final part of the epic seasonal rites sequence by the experimental arts collective, Ensō Watt will take place at Urbanguild, Kyoto on April 29th. This is an event not to be missed!

enso watt final

Date: Wednesday, April 29th
Doors Open:
19:30
Show Starts:
20:00
Tickets on the door:
2700 yen
Tickets in advance:
2000 yen
Student Tickets:
1500 yen
(all tickets include one drink)

About Ensō Watt:
Initiated in 2014 by the sound designer Samuel André, the Ensō Watt artist collective is born in Kyoto from the encounter of artists coming from different countries and raised in entirely different artistic universe, from classical music to electro, improvisation and sound design.

The Seasonal Rites:
A hundred years after Stravinsky’s revolutionary “Rites of Spring,” the members of this artistic collaboration pursue the experience-cum-experiment by focusing on Japan’s seasonal cycles, especially celebrated by the little-known mountainous tribe, the Sanka.

The Show:
The music is inspired by the poetry of Chris Mosdell; it navigates between improvisation and conducted improvisation live by Yannick Paget, based on scored music’s elements. The performers, positioned in the audience, generate an immersive, musical surround-experience (broadcast on 4 speakers). More than just a musical experiment, the event is also shot live via a series of 6 cameras, and is processed and projected on 2 screens during the performance.

city that silk builtThe Poet:
Incidentally, the poet Chris Mosdell recently released a wonderful bilingual book of poems written in Kyoto entitled The City That Silk Built. Chris was kind enough to send me a copy which I shall review in good time, but for now, you can take a look at it on Amazon.co.jp.

For more information on the show:
Press contact: Marguerite Paget: mgtpaget[at]gmail.com / 090 6556 1974
Event coordination: Samuel André: sandre.constellation[at]gmail.com
Facebook: https://www.facebook.com/ensowatt?fref=ts

See also the following sites:
Chris Mosdell: http://chrismosdell.com/
Yannick Paget: http://www.yannickpaget.com/
Samuel André: http://p0llenrec.tumblr.com/ https://soundcloud.com/ieva
Ensō Watt: http://ensowatt.org/
Urbanguild: http://www.urbanguild.net/

And my short reviews of the last two Ensō Watt performances here:
Images from Sanka’s Winter Ritual
Pictures from Sanka’s Autumn Ritual by Ensō Watt